Salma uche okeke biography wife
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In this interview, we explored the enduring impact she had on the art world and how her passion continues to inspire and shape the Uche Okeke legacy. As we sat down with Salma Uche-Okeke, Ijeoma's sister and co-director of the Uche Okeke legacy, we took a moment to remember the vibrant spirit of Ijeoma. It's a bittersweet conversation, taking place on the eve of the one-year anniversary of her passing. Ijeoma was not just a devoted sister and art curator but also a board member of several arts organisations. Her contributions to the arts community were significant, and we want to honour her memory by sharing her story.The Legacy of Professor Christopher Uchefuna Okeke
Many people think that African art is sculpture only; however, there is a range of art in the contemporary field. The traditions of spontaneity are reasonably known within Africa, and in Nigeria, it is seen in the Igbo culture called Uli.
The Igbo people created this artistic technique that combines the art of the past and the present. Many Igbo artists embrace and celebrate the practice; one of many is Professor and artist Christopher Uchefuna Okeke.
Born in Northern Nigeria in to an Igbo family, Okeke attended the Nigerian College of Art, Science and Technology (now Ahmadu Bello University) from to Okeke&#;s early curiosity about the Igbo culture was whetted by his mother and at secondary school in the Igbo region.
Okeke was one of the founding members of the &#;Natural Synthesis&#;.
Salma uche okeke biography In a world where art, culture, and technology are becoming increasingly interconnected, we find ourselves at the crossroads of creative innovation and the preservation of artistic legacies. This delicate balance is explored in a captivating conversation between Tamzin Lovell and Salma Uche-Okeke, where they delve into the life and legacy of the late Christopher Uche Okeke, a multifaceted artist who left an indelible mark on the art world. A Global Connection through Art and Technology. The interview begins by acknowledging the remarkable transformation in the art landscape, where technology has not only brought global communities closer but also redefined how art is created, shared, and preserved. Salma Uche-Okeke expresses her excitement about the possibilities that technology offers for the world of art.The name emerged as a rebellion against the notion of former British artistic training in Nigeria. It was also his style of essays on notions of Pan-Africanism and Negritude that earned the group at the University the title &#;Zaria rebels&#;. The resistance inspired undergraduate artists and others, and they founded the Zaria Art Society. Among these artists were Jimoh Akolo, Simon Okeke, Bruce Onobrakpeya and others with whom they fused their local heritage with Western art techniques.
From to , Okeke went on to Munich, in Western Germany, to study mosaic stained glass techniques, of which he created three murals and mosaics and stained glass for Franz Meye and Company.
When he returned from Munich, he worked as a publication artist at the Federal Ministry of Information.
The art of intentionality in Okeke&#;s artwork draws the viewer to his fascination with the mythology of the Igbo culture. These themes are depicted as paintings, sculptures and drawings while drawing in elements of the Uli technique.
Salma uche okeke biography wikipedia Many people think that African art is sculpture only; however, there is a range of art in the contemporary field. The traditions of spontaneity are reasonably known within Africa, and in Nigeria, it is seen in the Igbo culture called Uli. The Igbo people created this artistic technique that combines the art of the past and the present. Many Igbo artists embrace and celebrate the practice; one of many is Professor and artist Christopher Uchefuna Okeke. The name emerged as a rebellion against the notion of former British artistic training in Nigeria.Okeke&#;s manipulation of the rigorous linearity of Uli art in his practices is done to relate to our environment. They are sometimes portrayed as drawings in simplistic forms; other times, they are seen in three-dimensional forms. Despite the surface, the art of Okeke is a reflection of his Igbo heritage, and his experimentations are a reflection of localistic art and modernism.
Okeke’s illustration of the second edition of Achebe&#;s inaugural and known novel Things Fall Apart is one of the artist&#;s prominent works.
The collaboration for the book cover and the artwork The Conflict (After Achebe) , in which he illustrates a tale of resistance to colonisation in Nigeria.
This collaboration with acclaimed author Chinua Achebe in in the painting The Conflict, shown in vivid and harsh brushstrokes fused with dramatic lighting, represents the scene from the book. Here, the character of Egwugwu (the council of masquerade judges) is seen addressing Mr Smith (the European Commissionary) standing next to his interpreter.
On the book cover, Okeke depicts the narrative as a descending bird caught in what seems like a snare trap. Both artworks are visual depictions of the conflict between two cultures and rebellion against Western cultural hegemony.
Besides the notable collaboration with author Achebe, Okeke also designed the stage and sets for the then Eastern Nigeria Theatre for Wole Soyinka&#;s The Lion and The Jewel, Sam Iyamu&#;s Corp Diplomatique and J.P Clark&#;s Song of a Goat and The Masquerade.
Other works include the book jacket design and cover for John Munonye&#;s The Only Son and for many churches such as The Holy Trinity Cathedral Onitsha.
Uche okeke art Post a Comment. Saturday, 16 January Uche Okeke Exit of a modernist who envisioned contemporaneity. FROM being a member of the generation of Nigerian modernists who changed the texture of the country's art to reflect contextual local identity, Prof. Uche Okeke - progressed into the realm of reviving native Igbo art of Uli.He was also the director of the Institute of African Studies at the University of Nigeria and a visiting professor at the Department of Creative Arts at the University of Port Harcourt.
The “Giant of Africa” prides itself on the life and artistic career of Professor Christopher Uchefuna Okeke.
His artistry of the Igbo tales and mythic spirits renders him the Father of African ma. It’s the conservation of this incredible legacy that was undertaken by his daughters, Salma Uche-Okeke and Ijeoma Loren Uche-Okeke who has sadly since passed, under the name of Uche Okeke Legacy. In honour of Ijeoma Loren Uche-Okeke and to celebrate her birth month, Uche Okeke Legacy will be holding their first annual November panel discussion, Living Legacies: Generations Ahead, on the 23rd of November.
This enlightening discussion will feature notable guest Oliver Enwonwu, Georgina Thomson and others (TBC), and will explore the joy, passion and dedication Ijeoma had for the arts, the integral role she played in conserving the phenomenal legacy of Uche Okeke, and why it is important to conserve legacies for future generations.
Written by: Horcelie Sinda Wa Mbongo
Horcelie Sinda Wa Mbongo was born in Kinshasa, Congo, she is an artist and obtained her MA in Contemporary Art at Sotheby’s Institute of Art, BA at Chelsea College of Art.
She has contributed to numerous art publications across Europe and Africa. She is the founder of Lobiko, a charity based in the UK, Congo and South Africa.