Howardena pindell autobiography water heater price

–

Painter and mixed media artist, curator, and educator

Known for the wide variety of techniques and materials used in her artwork, Howardena Pindell has created abstract paintings, collages, "video drawings," and "process art." Her work explores texture, color, structures, and the process of making art; it is often political, addressing the issues of racism, feminism, violence, slavery, and exploitation.

Howardena pindell autobiography water heater troubleshooting

Howardena pindell autobiography water heater manual

Howardena pindell autobiography water heater price

She has exhibited her work almost constantly since the s and has held fellowships and appointments at several major institutions, including the Museum of Modern Art and the Guggenheim Foundation. Pindell is primarily an abstract painter and her mature work has helped to redefine painting since the s. Her work goes beyond paint on canvas to include three-dimensional objects and even mutilated canvases that she stitches roughly back together; she has also created mosaics and murals for public spaces.

Pindell has won many awards, including the Women's Caucus for Art award for Distinguished Contributions and Achievements in Arts.

Howardena pindell autobiography water heater parts

Early works from this series on view at Garth Greenan bear witness to the artist literally and figuratively piecing together fragments of her past. They testify to the pivotal roles travel, as well as her investigations into alternative philosophies and religions, played in helping heal her internal and external wounds. Prior to her accident, Pindell was making abstract paintings that were often based on a grid structure and emphasized process to explore nuanced color, light, and movement. You may wake up dead. Several extended sojourns in Japan—her stay in Kyoto in particular—impressed upon her the quiet reverence for nature that is characteristic of Japanese culture.

Besides being a practicing artist she has worked as an exhibition curator and, since , a teacher at Stony Brook, State University of New York (SUNY). In she became professor of drawing and painting at Stony Brook.

Howardena Pindell was born in Philadelphia, Pennsylvania, on April 14, , the daughter of Howard and Mildred (Lewis) Douglas.

She decided she wanted to be an artist at the age of 12 and was encouraged by her parents to study fine art at college. She attended Boston University, graduating with a BFA in , followed by an MFA from Yale University in After graduating from Yale she became a curatorial assistant at the Museum of Modern Art (MOMA) in New York City and began to establish herself as an artist.

Pindell's early works were mostly of urban scenes, but she soon began to produce abstracts and developed an interest in texture, form, and geometry.

Howardena pindell autobiography water heater reviews Pindell was a visiting professor at the Yale University School of Art from to From to , she worked at the Museum of Modern Art in New York , including as associate curator of prints and illustrated books. Pindell began as an oil painter but developed an allergy due to the overuse of lead white. After that my work became autobiographical as part of my desperate struggle to heal myself. In her work, Pindell transforms the body into a monument to tell narratives of intersectional discrimination.

Several of her important works from the s are produced on graph paper. She has been described variously as having links with "pointilism" (a form of painting where non-primary colors are created by placing dots of primary colors close together), "minimalism" (a style of art in which beauty is thought to exist in the materials themselves), and "process art" (where the process of producing the work is made clear in the work itself).

Pindell's pointilist background is evident in canvases from the s on which she scattered colored clippings taken from a hole punch. In a review of a Pindell retrospective at the Kenkeleba and the Alternative Museum, New York City, David Bourdon wrote: "By , Pindell developed a more three-dimensional and more personal form of pointillism, wielding a paper punch to cut out multitudes of confetti-like disks, which she dispersed with varying degrees of premeditation and randomness over the surfaces of her pictures."

Pindell's first important exhibition was at Spelman College, Atlanta, in and she has exhibited in almost every following year for over 30 years, either as a solo artist, or in a group exhibition.

In the s and s she was often aware that she had been selected for exhibition as a token black among a group of other artists, and she spent a great deal of time researching and analyzing the status of black painters in the mainstream art world. In the s she painted a series of "word" paintings, in which her body in silhouette is overlaid with words such as "slave trade," while an earlier work about South Africa features a slashed canvas roughly stitched back together and the word "INTERROGATION" laid on top.

In she made a video called Free White and 21, in which she appears in a blonde wig, dark glasses, and with a pale stocking over her head as a caricature of a white woman.

These edgy works have brought her a great deal of criticism, but writing in Artforum International Martha Schwendener suggested that even Pindell's less obviously political work is laced with political experience.

Howardena pindell autobiography water heater for sale Autobiography , a selection of works on paper and canvas from a larger body of work, addresses multifaceted aspects of my being and experience. I chose not to focus solely on that which has brought me distress, such as my direct personal experience with issues of abuse, some of which were brought about by encounters with racism, sexism, and issues of class, but expanded it to include my inner spiritual as well as outer journey. This journey extended over twenty years and has taken me to remote parts of Africa, the Caribbean, India, Japan, Brazil, and northern and central Europe. I sought solace during these trips in studying and practicing, in some cases, universal spiritual traditions as a link to understanding the culture. I was also searching for alternative modes of living, thinking, and seeing.

Pindell's awareness of the personal and political implications of being black can be traced back to a road trip taken with her parents in the s when she learned that roadside root beer sellers marked cups to be used by blacks with a red circle. Schwendener makes a link between this event and Pindell's later artistic interest in points, circles, numbers, and astronomy, arguing that "even the most abstract-looking design may be tied to a structure of infinite complexity, as it is in astronomy, or social injustice."

Pindell continued to work as a curator at MOMA until when she became associate professor of art at State University of New York (SUNY) at Stony Brook.

The death of her mother in inspired a series of works about memorials and she continues to diversify into new art forms, such as video painting and other kinds of installations. She has also continued to educate herself for the sake of her work, studying astronomy at the New School as part of her second DFA degree.

Howardena pindell autobiography water heater In this powerful work, Pindell recounts personal anecdotes and anthropological and historical data related to lynchings and racist attacks in the United States. Over her nearly year career, Pindell has created richly textured abstract paintings while engaging with politics and the social issues of her time. A fully illustrated catalogue including an essay from exhibition curator Adeze Wilford , a conversation between Howardena Pindell and Guggenheim curator Ashley James , writings by the artist, and a conversation between Pindell and Shed senior program advisor Hans Ulrich Obrist. The book concludes with an illustrated checklist that includes an image of each artwork in the exhibition. It is out there for the public to research on their own without me ….

Pindell is the recipient of many awards. In –88 she was a Guggenheim Fellow, and received the College Art Association Best Exhibition/Performance Award In she received the IAM Pioneer award. In the s she had a traveling retrospective exhibition and several exhibitions at the George N'Namdi Gallery in Chicago, Illinois, and Birmingham, Michigan.

Selected works

Books

The Heart of the Matter: The Writings and Paintings of Howardena Pindell, Midmarch Arts Press,

Periodicals

"Mandaleo Yaa Wanawake, The Progress of Women," Feminist Art Journal, Winter –74, p.

"Collette Omagvai, Nigerian Printmaker," Women Studies Journal (United Kingdom),
"Criticism or Between the Lines," Heresies, January , pp.

Howardena Pindell: Autobiography - The Brooklyn Rail

Episode 49: Howardena Pindell: What Emerges from the Water Waves

Autobiography: Water (Ancestors/Middle Passage/Family Ghosts)

Carousel

"Some Reminiscences," Kaleidoscope, Winter/Spring , pp.

Individual Exhibitions

Spelman College, Atlanta, Georgia,
Douglas College, Rutgers University, New Brunswick, New Jersey,
Michael Rockefeller Memorial Gallery, SUNY, Fredonia, New York,
Howardena Pindell: Video Drawings, Cincinnati Art Academy, Ohio (travelled to Denmark, Norway, and other U.S.

locales),
State University of New York at Stony Brook, Miami-Dade Community College,
Studio Museum in Harlem, New York City,
Grand Rapids Art Museum, Michigan,
Grove Gallery, SUNY, Albany, New York,
Retrospective (travelled from to throughout U.S.),
Bethal College Art Gallery, St. Paul, Minnesota,
Art Gallery, Suffolk Community College, New York City,

Sources

Periodicals

American Visions, April

Art in America, March , p.

Artforum International, September , p.

New York Times, October 21, , Long Island sec., p. 2.

On-line

"Digital Archive: Pindell," Paul R. Jones Collection, (September 27, ).

"Howardena Pindell," Biography Resource Center, (September 26, ).

Stony Brook University, SUNY, (September 27, ).